It wasn’t hard to think of a subject to explore from A French Wedding because, while there are many I could chase down a rabbit hole (Pastries! Seaside villages! Lost loves!), there was one that whispered to me the whole read through: old friends. The people who knew you when, and know how you’ve changed. They hold a key to your development just by having witnessed its progression in a way you’ve never had access to. There’s something so disarming and vital about that.

 

 

Two thoughts came to mind as I read. One comes from Glennon Doyle, who signs many of her social media posts with We belong to each other. The other is from my grandmother: If only we could see ourselves as others see us.

The characters in A French Wedding are at that bittersweet moment when you’re staring at half your life behind you, wondering how you could have been that young person your friends remember. Rosie questions her choices in marriage, Max wonders why he’s waited so long to tell Helen how he feels, Juliette is bewildered by how she got to where she is, haunted by her past. In the course of the story, they all get parts of themselves refracted and bounced back to them by those closest to them—the people who have loved them for ages, listened and helped and infuriated. I kept thinking about this—the idea that we can’t be complete unless we are connected to others. And that if we could only see what others see in us, we might give ourselves a break, we might be able to still the demons of self-destruction or torment. All this sat with me after I finished the last page.

So I asked a few dear friends, women who’ve know me since I was just fledged, to reflect back to me their memories of how—and who—I’d been in my early twenties. And their responses were like a window into a forgotten part of me. A window with a completely familiar, but somehow shocking, view. Oh right. I was like that. Huh.

They said I was feisty, self-assured, driven. Spontaneous. Full of energy. Hardworking, in it 100%. Slightly obsessed with my hair.

 

 

I realized how long it’s been since anyone offered me adjectives about myself.

I am tired now. My spontaneity has been worn paper-thin by my little ones. My confidence comes and goes in tides. Sometimes there is no feistiness in my life except for Feist. So hearing this feedback is bittersweet—where has that young woman gone and how quietly did she disappear? But I’m so grateful to hold these descriptors up against my skin and see how they look, now that I’m here. They still work on me, I think, maybe with a little maneuvering.

Those dear friends and I, we belonged to each other then, and even though we are now separated by distance and busyness and the mind-traps of life, we still hold each other up. I’m so grateful to them for answering and sharing and pushing me forward.

And this is what A French Wedding stirs in me the most. Remembering who we were, helping others do the same, and stumbling along as pieces of ourselves grow and expand and slough off.  I’m so glad this story is out in the world; it’s reminded me to be grateful for the friends who make up my world. Thank you, Christina, Kirsti, and thank you, Hannah, for writing the words that inspired these thoughts.

 

XO

Ria

 

A French Wedding, published by Doubleday, launched June 6th in the U.S. and Canada. For the month of June we are  celebrating the themes of the book with posts about France, feasting, friendships and family.

 

To win two copies of the book – one for you and one for your favourite reading partner – go to the Fork & Fiction Instagram or Facebook page and don’t forget to tag a friend. Winners drawn and announced Sunday 25th June.